Alex Boruff
Alex Boruff is a New York-based screenwriter, author, actor, director, podcast editor, and overall creative-type goofball.
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The OA: Storytelling as an Act of Trust
The OA is a show that makes me think a lot about the act of telling a story. Storytelling takes two people: a teller and an audience. In that way, like with most interpersonal connections, it’s an act of trust. The amount of trust varies, but by putting some part of the exchange on somebody […] More
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in SeriesHalston: A Familiar Story of Artistic Angst
I’ll be honest with you from the jump: high fashion is far from my area of expertise. Stories about troubled and ambitious auteurs struggling viciously with the struggles of artistic success on the other hand, that’s a different thing. While Netflix’s new mini-series Halston, from Sharr White and Ryan Murphy, is about one of the most influential […] More
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in Compelling CharactersNeon Genesis Evangelion: Shinji and Misato, Uncommon Friends
Neon Genesis Evangelion is a show about a lot of things. It’s about teenage kids piloting badass giant mechs to fight invading aliens. It’s about a vision of the origin of humankind that marries science-fiction tropes and Western religious iconography. It’s about a penguin who lives in a refrigerator. A lot of things. I would […] More
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in Compelling CharactersThe Machine: AI of Interest
At first glance, the Machine in Person of Interest could hardly qualify as a character. When introduced in the pilot, it is nothing more than a plot device. Reclusive billionaire tech genius Harold Finch (Michael Emerson) tells his new partner in crime-fighting, ex-CIA operative John Reese (Jim Caviezel), that the source of his information is […] More
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in Compelling CharactersAdelle DeWitt: Ever the Shepherd
“The world is a very simple place…at first. Then, as we grow up, it grows around us, a dense thicket of complication and disappointment. Unbearable for some. And even for the luckiest of us, still sometimes more than we can handle. Less than we’d hoped.” These words never made it into the episodes of Dollhouse […] More
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in Episode of the WeekDollhouse, “Epitaph One”: The “Hidden” Episode
When Dollhouse first aired over a decade ago, I was a relatively recent addition to the ranks of Joss Whedon fandom. I was terribly excited to be on the ground floor for his newest show, going in with no idea what moments, what lines, what characters would speak to me—and what parts of the show […] More
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in Cancelled Too SoonDollhouse: I Try to Be My Best
There are few things as painful in art as wasted potential. That’s kind of a running theme with shows that are cancelled too soon, certainly, but I mean something more particular. Yes, it was a shame that Firefly was cancelled so soon, but Firefly sprang from the womb pretty close to perfect. There may be less of […] More
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“House’s Head”/”Wilson’s Heart”—The Great Doctor’s Greatest Failure
Part of the appeal of House is the power fantasy of it. Dr. Gregory House is a brilliant detective, based somewhat on Sherlock Holmes, one of the all-time great detectives in fiction. “Competence porn” is a phrase I’ve heard in regards to this kind of thing, and it is an undeniable pleasure watching people be damn […] More
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in Compelling CharactersIn Defense of Shinji Ikari
This is the story of a boy—a sad, confused boy entering his teenage years with little in the way of social skills and even less in the way of self-esteem. He is terrified of confrontation, but also of any kind of emotional intimacy. He doesn’t know how to connect with the people around him, because […] More