{"id":161884,"date":"2020-10-03T00:00:24","date_gmt":"2020-10-03T04:00:24","guid":{"rendered":"https:\/\/25yearslatersite.com\/?p=161884"},"modified":"2024-04-16T23:34:34","modified_gmt":"2024-04-17T03:34:34","slug":"whats-the-buzz-matt-berrys-phantom-birds-shonen-jump-and-more","status":"publish","type":"post","link":"https:\/\/tvobsessive.com\/2020\/10\/03\/whats-the-buzz-matt-berrys-phantom-birds-shonen-jump-and-more\/","title":{"rendered":"Matt Berry&#8217;s Phantom Birds, Shonen Jump, and More!"},"content":{"rendered":"<p><em>Welcome to <strong>What\u2019s the Buzz<\/strong>, where members of our staff provide you with recommendations on a weekly basis. This week, <a href=\"https:\/\/tvobsessive.com\/author\/rachelcathleenstewart\/\" target=\"_blank\" rel=\"noopener noreferrer\">Rachel Stewart<\/a> is listening to Matt Berry&#8217;s <strong>Phantom Birds<\/strong>, <a href=\"https:\/\/25yearslatersite.com\/author\/jasonsheppard18\/\" target=\"_blank\" rel=\"noopener noreferrer\">Jason Sheppard<\/a> is listening to the <strong>War of the World<\/strong>s soundtrack, and <a href=\"https:\/\/tvobsessive.com\/author\/johnthepeakie\/\" target=\"_blank\" rel=\"noopener noreferrer\">John Bernardy<\/a> is listening to podcasts about <strong>Shonen Jump<\/strong>.<\/em><\/p>\n<hr \/>\n<h2>Matt Berry\u2019s <em>Phantom Birds<\/em> is the Real Thing<\/h2>\n<p><strong>Rachel<\/strong>: I\u2019ve been a Matt Berry since, well, ever. <em>The IT Crowd<\/em>, <em>Garth Marenghi&#8217;s Darkplace<\/em>, <em>Toast of London<\/em>, <a href=\"https:\/\/tvobsessive.com\/2020\/02\/17\/year-of-the-rabbit-uses-an-historical-setting-but-the-laugh-is-on-us\/\"><em>Year of the Rabbit<\/em><\/a>, and <a href=\"https:\/\/tvobsessive.com\/2019\/02\/09\/its-hard-out-there-for-a-vamp-what-we-do-in-the-shadows-creeps-onto-the-small-screen-soon\/\"><em>What We Do In the Shadows<\/em><\/a>&#8212;if Matt Berry\u2019s been in it, I\u2019ve probably seen it. It was actually <em>Darkplace<\/em> that made me hip to the fact that Berry is also a talented singer as well as top notch comedian. (The cold stone classic \u201c<a href=\"https:\/\/www.youtube.com\/watch?v=OO-ZGP68-3w\">One Track Lover<\/a>\u201d\u00a0 features both skills, although &#8217;80s synth pop is not his typical style.)<\/p>\n<p>Berry\u2019s discography up to this point has been an eclectic mix of experimental progressive rock (<a href=\"https:\/\/open.spotify.com\/album\/2k6qIArCmdSyT6wQgJRBbP\"><em>Music for Insomniacs<\/em><\/a>), which even included an entire album of plucky British TV theme covers (<a href=\"https:\/\/open.spotify.com\/album\/467xtblaihstyABaO9OOaD\"><em>Television Themes<\/em><\/a>). (The <em>Doctor Who<\/em> theme cover is especially rad, man.)\u00a0 His latest offering, entitled <em>Phantom Birds<\/em>, is a beautiful love letter to 1970s rock, folk and even shades of Americana. Each track flows easily into the next, making one of those perfect on-repeat records for lazy days that drift towards sunsets. Lyrically, the songs are filled with longing, doubt, questions, and goodbyes. In \u201cYou Danced All Night,\u201d he reflects on a lover who\u2019s left him:<\/p>\n<blockquote><p>\u201cWhen trust is dead<\/p>\n<p>Good will has fled<\/p>\n<p>The whole circus has moved south<\/p>\n<p>Pull my head from the tiger\u2019s mouth<\/p>\n<p>&nbsp;<\/p>\n<p>I heard you danced all night<\/p>\n<p>Gotta do what you feel\u2019s right<\/p>\n<p>Sounds like you\u2019re doing fine<\/p>\n<p>You crouched down, and no goodbye<\/p>\n<p>&nbsp;<\/p>\n<p>What the hell was that sound?<\/p>\n<p>Sounded close, sounded loud<\/p>\n<p>Like a horse who jumped his cart<\/p>\n<p>It was the sound of my broken heart\u201d<\/p><\/blockquote>\n<p>The seasons are changing, and this album feels like it dropped at the perfect moment as autumn rolls around. It\u2019s at once accessible, pensive and poetic. I\u2019ve mentioned more than once that this year has been hard, and music has been a balm as the days blur together. It feels like Berry has captured the ebbing summer and oncoming autumn all at once.<\/p>\n<p>As he sings on \u201cYellow Bird\u201d<\/p>\n<blockquote><p>\u201cA harvest moon in summer<\/p>\n<p>The world\u2019s most vibrant colour<\/p>\n<p>A love to match no other\u201d<\/p><\/blockquote>\n<p><iframe class=\"lazyload\"  title=\"Spotify Embed: Phantom Birds\" style=\"border-radius: 12px\" width=\"100%\" height=\"352\" frameborder=\"0\" allowfullscreen allow=\"autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture\" loading=\"lazy\" data-src=\"https:\/\/open.spotify.com\/embed\/album\/1LZIZ0kLVAv4DZT2Nq00pI?utm_source=oembed\"><\/iframe><\/p>\n<p><!--nextpage--><\/p>\n<h2><em>War of the Worlds<\/em> Soundtrack<\/h2>\n<p><strong>Jason<\/strong>: 2005, like 2002, was a busy and memorable year for John Williams. In 2002, the legendary composer wrote the musical scores to four major Hollywood blockbusters&#8212;a feat he matched in 2005.<\/p>\n<p>That year Williams wrote the scores to <em>Star Wars Episode III<\/em>, <em>Munich<\/em>, <em>Memoirs of a Geisha<\/em> and Steven Spielberg&#8217;s summer sci-fi thriller <em>War of the Worlds<\/em>, which starred Tom Cruise and is considered the nightmare version to Spielberg&#8217;s <em>Close Encounters of the Third Kind<\/em>.<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" data-expand=\"600\" class=\"lazyload aligncenter size-full wp-image-161886\" src=\"data:image\/svg+xml;charset=utf-8,%3Csvg xmlns%3D'http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg' viewBox%3D'0 0 1027 1000'%2F%3E\" data-src=\"https:\/\/tvobsessive.com\/wp-content\/uploads\/2020\/10\/war-of-the-worlds-soundtrack.jpg\" alt=\"Tentacles grab a globe on the cover of the War of the Worlds soundtrack\" width=\"1027\" height=\"1000\" \/><\/p>\n<p>Based on H.G. Wells classic tale of alien invasion, this film version was tense and thrilling. There were no gentle other-worldly aliens here. These visitors were bent on destruction and wiping out the human race. This meant the music would reflect the sinister nature of these destructive invaders.<\/p>\n<p>The music to <em>War of the Worlds<\/em> marked a vast departure from the sense of wonderment and awe which made <em>Close Encounters<\/em> float and the swirling strings, harp, and flute which represented the soaring, gentle-hearted <em>E.T. The Extra-Terristrial<\/em>. This music was ominous, tense, sombre and frantic. There would be no cuddly alien themes to be heard this time around.<\/p>\n<p>The movie was a huge hit when it opened in June 2005 and the original soundtrack was praised by movie score lovers. However, it only contained around 65 minutes of music, omitting several cues. This week, specialty soundtrack company Intrada announced they are releasing a newly expanded two-disc edition of Williams&#8217;s score which will feature every cue heard in the film with alternates. The original 2005 release will be included as well with remastered sound. For those who own the recent <em>Close Encounter<\/em>s and <em>E.T.<\/em> expanded soundtracks, this edition of <em>War of the Worlds<\/em> completes the Spielberg\/Williams alien trilogy and will make for the perfect music to listen to while watching the skies.<br \/>\n<!--nextpage--><\/p>\n<h2>The Cancelled Manga of <em>Shonen Jump<\/em><\/h2>\n<p><strong>John<\/strong>: Much in the same way as <em>Armageddon<\/em> and <em>Deep Impact<\/em> appearing in the same blockbuster summer, a single high concept appears in two distinct items that debut within months of each other. In this case, we have two podcasts: the <em>Shonen Flop <\/em>podcast, and <em>The Shonen Fiasco Show<\/em>. Both podcasts have two hosts digging deep into the short-lived manga series published within the pages of <a href=\"https:\/\/en.wikipedia.org\/wiki\/Weekly_Sh%C5%8Dnen_Jump\" target=\"_blank\" rel=\"noopener noreferrer\"><em>Weekly Shonen Jump<\/em><\/a>, though both use different formats to make this happen.<\/p>\n<p>Every week, <em>Shonen Jump<\/em> magazine publishes a new chapter from about 20 different manga series. But not every one of those series is meant for an anime adaptation, longevity, or even simple name recognition. For every <em>One Piece<\/em> or <em>My Hero Academia<\/em>, there are a lot of series we\u2019ve never heard of. Until now.<\/p>\n<p>The <em>Shonen Flop <\/em>podcast\u2014currently with nine episodes to their name\u2014is hosted by David and Jordan. They make jokes but try to stay positive with them. The first few minutes of the show is spent giving the gist of a manga series, its setting and characters, and then a quick summary of the entire story plot of the manga series. They then go into background info on the manga\u2019s creator, and how long\u2014and when\u2014this ran in <em>Shonen Jump<\/em>. Then they go into their segments: why the series failed, what does work, what could\u2019ve happened (had the series been allowed to continue), and a vote for Flop or Not.<\/p>\n<p>During their segments we get a look into what was confusing or muddled, the quality of the art, characters and their development, possible translation issues, and an analysis of the writing and storytelling. In the &#8220;What Could Have Happened&#8221; segment, the hosts hypothesize how the series\u2019 strengths could\u2019ve been used to turn the series into a success, and what it would\u2019ve taken to make that happen. The hosts also follow the story to plausible conclusions in hypothetical future chapters.<br \/>\nWhen they vote something as a Flop, they recommend something to read instead, and then they move on to a quick section of shout outs before they wrap up.<\/p>\n<p><em>The Shonen Fiasco Show<\/em>\u2014with six episodes to their name\u2014is hosted by Adam and Alex, who have a more biting sense of humor, though it never gets mean, only into bitter territory. They do introductions and then spend a few minutes presenting the series\u2019 pitch over the soundtrack of Alex\u2019s band, the Game Brass.<\/p>\n<p>https:\/\/shonenfiasco.captivate.fm<\/p>\n<p>Then they recap the series chapter by chapter for the majority of the episode, covering the same topics as <em>Shonen Flop<\/em> does as the moments come up in the story. If you like weekly TV recap podcasts, you\u2019re already familiar with this formula. It gives attention to the twists and turns and their effectiveness, which ends up adding storytelling drama if you don\u2019t know the story already.<\/p>\n<p>At the end of their episodes, the hosts answer \u201cshould I read this series?\u201d and then give it a rating out of ten points.<\/p>\n<p>I\u2019d have to say my preference is to the <em>Shonen Flop<\/em> podcast, as\u2014much like what we try to do here\u2014they do minimal recap up front to get listeners familiar with the overall picture before they dig into what makes a series tick. But both shows have value and entertainment factor. Honestly, it\u2019s nice to have so many options for having so many stories getting their due. My official answer? Listen to both of these shows.<\/p>\n<p>https:\/\/shonenflop.libsyn.com\/8-samurai-8<\/p>\n<p><em>Those are our recommendations this week! What are yours? Let us know in the comments!<\/em><\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Welcome to What\u2019s the Buzz, where members of our staff provide you with recommendations on a weekly basis. This week, Rachel Stewart is listening to Matt Berry&#8217;s Phantom Birds, Jason Sheppard is listening to the War of the Worlds soundtrack, and John Bernardy is listening to podcasts about Shonen Jump. Matt Berry\u2019s Phantom Birds is [&hellip;] <a class=\"g1-link g1-link-more\" href=\"https:\/\/tvobsessive.com\/2020\/10\/03\/whats-the-buzz-matt-berrys-phantom-birds-shonen-jump-and-more\/\">More<\/a><\/p>\n","protected":false},"author":19,"featured_media":161889,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[5228],"tags":[108],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v22.4 (Yoast SEO v22.4) - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Matt Berry&#039;s Phantom Birds, Shonen Jump, and More!<\/title>\n<meta name=\"description\" content=\"Staff make recommendations ranging from Matt Berry&#039;s Phantom Birds to the War of the Worlds soundtrack and Shonen Jump podcasts\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" 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