{"id":252933,"date":"2022-07-15T23:45:47","date_gmt":"2022-07-16T03:45:47","guid":{"rendered":"https:\/\/25yearslatersite.com\/?p=252933"},"modified":"2023-01-24T18:11:31","modified_gmt":"2023-01-24T23:11:31","slug":"the-rehearsal-s1e1-orange-juice-no-pulp","status":"publish","type":"post","link":"https:\/\/tvobsessive.com\/2022\/07\/15\/the-rehearsal-s1e1-orange-juice-no-pulp\/","title":{"rendered":"The Rehearsal S1E1: “Orange Juice, No Pulp”"},"content":{"rendered":"

The following contains spoilers for The Rehearsal <\/strong>S1E1, “Orange Juice, No Pulp” (written and directed by Nathan Fielder)<\/em><\/p>\n

\n

I\u2019ve been trying to put my finger on what The Rehearsal<\/em> shares in common with Nathan for You<\/em>. If you\u2019ve seen both, I think it\u2019s obvious that they\u2019re in the same wheelhouse<\/a>, and it probably even makes sense to you without elaboration for me to say that The Rehearsal<\/em> takes the whole thing up a notch, pushing it towards some kind of apotheosis. But what is \u201cthe whole thing\u201d and what is \u201cit\u201d?<\/p>\n

Both shows play in a space between the real and the contrived. In Nathan for You<\/em>, Nathan Fielder plays a version of himself who hatches business plans for real businesses that clearly violate unwritten norms even if they don\u2019t violate the law. I don\u2019t know if this always means they are unethical, though they sometimes are. Regardless, it seems to me the humor of that show derives not so much from subverting moral sentiments but from simply pushing things into the space of the absurd, where our reasons for holding to unwritten norms come into question.<\/p>\n

The business owner of course wants to make money and Nathan offers a plan to help them make money, and if the humor derives from the violation of social mores, it nonetheless lies more in the way Nathan never seems to understand either how he\u2019s doing that or the mores themselves. He thinks he’s doing the right thing. How much of this is an act and how much pertains to who Nathan Fielder is in real life I couldn\u2019t claim to know. All I know is that it makes really compelling television.<\/p>\n

\"Nathan
A photo from the production of The Rehearsal in New York, N.Y., on Wednesday, Nov. 4, 2020. Photo: David M. Russell\/HBO \u00a92020 HBO. All Rights Reserved<\/figcaption><\/figure>\n

And The Rehearsal<\/em> is even more compelling, as it makes a similar move but with regard to life itself. Nathan offers to help people rehearse for important events in their lives (or at least I presume this will continue to be the premise as we move forward from Episode 1), recreating the scenario in all of its detail, hiring actors to play the people who will be involved, and playing out every permutation of how things might go that they can conceive of as a possibility.<\/p>\n

On top of this, he\u2019s rehearsing events for himself, such that in S1E1 the narrative loops in on itself at multiple points. Nathan is helping Kor, but then we cut to Fake Kor—the actor Nathan has hired to play Kor—and indeed at the climax of the episode this appears to lead Nathan to decide to forego making his own confession to the real Kor.<\/p>\n

All indications are that Kor and Tricia are real people, by the way. The credits for \u201cOrange Juice, No Pulp\u201d list the names of the actors playing the fake versions of each but nothing about the real ones. If there is something to puncture the conceit that the events of S1E1 are \u201creal\u201d I\u2019m not aware of it as of yet.<\/p>\n

Of course, in many ways the events aren\u2019t real, insofar as Nathan makes a full-scale replica of the Alligator Lounge, down to the balloon in the corner. He tricks the trivia host into giving him the questions for the trivia night Kor will use as the scene to confess to Tricia, and hilariously implants the answers to the questions into Kor\u2019s brain by hiring actors to play people on the street they encounter while walking together, who find ways to sneak in lines about who invented gunpowder and what the tallest building in the world is.<\/p>\n

It\u2019s all delightfully absurd, and while Nathan\u2019s argument to himself that it would be wrong to not do all of this is ridiculous, his appeal to the idea of controlling for all of the variables is right in line with the very idea of the rehearsal in the first place.<\/p>\n

It\u2019s an appealing idea! Who hasn\u2019t lamented how they failed to say the right thing or foresee how someone would react to what they said? We might even mentally rehearse important conversations on the horizon. I know I do, or used to until I realized things never went the way I\u2019d imagined them in my head, or any of the ways I\u2019d imagined. Instead, overthinking things beforehand tends to keep me from being able to go with the flow of how the conversation actually unfolds. In short, I’ve tended to find it makes things worse.<\/p>\n

But taking this all to the extreme that Nathan does in The Rehearsal<\/em> seems to work.<\/p>\n

S1E1 is cut through with tension, and I was on the edge of my seat the whole time, wondering how it would ultimately go when Kor told Tricia that he didn\u2019t really have a Master\u2019s degree. He was worried about how she would react, and I was worried with him. And then I was worried that he might get too nervous and not go through with it.<\/p>\n

The stakes here were small, but I was more enrapt by this tension than I can recall being by any fictional drama I have watched in a long time. And then, of course, it seems like it was no big deal to Tricia. Is this because the rehearsal was so effective, or would it have gone this way regardless?<\/p>\n

\"Nathan
Photograph by Courtesy of HBO<\/figcaption><\/figure>\n

We can see that Nathan was considering a confession of his own, but I don\u2019t doubt that Kor would have reacted much as Fake Kor (K. Todd Freeman) did to the news that Nathan had slipped him the trivia answers. I believe that Kor views trivia night as sacrosanct and would feel this as a deep betrayal, so it makes sense that Nathan decides not to relay this information. But we have to wonder now if The Rehearsal<\/em>\u2019s story is about to break into the real world, as presumably the real Kor will watch the episode and learn what happened.<\/p>\n

It\u2019s possible that this will be baked into the season of The Rehearsal<\/em> itself in some way. I can\u2019t claim to know. But given the way that Fielder clearly has an interest in blurring the lines between truth and fiction, I wouldn\u2019t be surprised if we\u2019re in line for more of a Dumb Starbucks<\/a> kind of situation in the near future, but with people\u2019s lives, as the narrative of The Rehearsal<\/em> bleeds over into everyday reality.<\/p>\n

Presuming Tricia is a real person, how will she react to learning that Kor went through all of this to prepare for a conversation with her? And if this same premise continues in coming weeks, the same questions go for each and every person involved in this series.<\/p>\n

As for the experience of The Rehearsal <\/em>as a viewer, I\u2019m pretty well hooked from this first episode. I\u2019ll be curious to see whether we\u2019re in line for a client of the week structure all the way through, or whether (or to what extent) the show will have some kind of throughline or narrative development, perhaps with regard to the questions I’ve just raised.<\/p>\n

Either way, I can\u2019t wait to see what happens next. \t<\/p>\n","protected":false},"excerpt":{"rendered":"

The following contains spoilers for The Rehearsal S1E1, “Orange Juice, No Pulp” (written and directed by Nathan Fielder) I\u2019ve been trying to put my finger on what The Rehearsal shares in common with Nathan for You. If you\u2019ve seen both, I think it\u2019s obvious that they\u2019re in the same wheelhouse, and it probably even makes […] More<\/a><\/p>\n","protected":false},"author":76,"featured_media":253020,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[56],"tags":[4945,6],"yoast_head":"\nThe Rehearsal S1E1: \\"Orange Juice, No Pulp\\" | 25YL<\/title>\n<meta name=\"description\" content=\"The Rehearsal S1E1 ("Orange Juice, No Pulp") sees Nathan Fielder delightfully blurring the line between reality and contrivance\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/tvobsessive.com\/2022\/07\/15\/the-rehearsal-s1e1-orange-juice-no-pulp\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"The Rehearsal 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