{"id":282721,"date":"2023-07-03T00:00:53","date_gmt":"2023-07-03T04:00:53","guid":{"rendered":"https:\/\/tvobsessive.com\/?p=282721"},"modified":"2023-06-26T23:45:25","modified_gmt":"2023-06-27T03:45:25","slug":"bojack-horseman-fish-out-of-water-goes-deep-without-words","status":"publish","type":"post","link":"https:\/\/tvobsessive.com\/2023\/07\/03\/bojack-horseman-fish-out-of-water-goes-deep-without-words\/","title":{"rendered":"BoJack Horseman: “Fish Out of Water” Goes Deep Without Words"},"content":{"rendered":"

The following contains spoilers for BoJack Horseman<\/strong> S3E4, “Fish Out of Water” (written by Elijah Aron & Jordan Young and directed by Mike Hollingsworth)<\/em><\/p>\n

\n

BoJack Horseman<\/em> was always a show so permeated by visual gags I\u2019d be impressed if anyone ever catalogued them all. So it makes sense that in its third season, the series would offer an entry into the pantheon of Great TV Episodes Without Dialogue<\/a> with \u201cFish Out of Water.\u201d<\/p>\n

BoJack (Will Arnett) is promoting his forthcoming Secretariat film, and he Cannes not take it to Cannes because of his past remarks about Jean-Paul Sartre, so he\u2019s off to the Pacific Ocean Film Festival, 20 leagues (or whatever it is) under the sea.<\/p>\n

The central tension of \u201cFish Out of Water\u201d is set up in the limited dialogue that does occur towards the beginning of the episode. Ana Spanikopita (Angela Bassett) informs BoJack that Kelsey Jannings (Maria Bamford, though she actually doesn\u2019t talk in this episode) will also be at the festival and that spikes BoJack\u2019s anxiety to such an extent that it might be the reason he tries to get off the plane and bail on the fest.<\/p>\n

Alas, it\u2019s too late. He gets tased by an electric eel flight attendant and down below we go.<\/p>\n

\"BoJack
Netflix\/Screenshot<\/figcaption><\/figure>\n

Kelsey had been the director of Secretariat<\/em> until BoJack got her fired through his shenanigans (classic BoJack<\/a>), and he hasn\u2019t talked to her since or ever apologized or anything (also classic BoJack), so he hides from her at first, until he gets it into his head that he needs to face the situation head on.<\/p>\n

The problem is he cannot (to his knowledge) speak underwater. He\u2019s wearing a glass helmet that also keeps him from smoking and drinking (which is pretty tortuous if you\u2019re BoJack), and while fish speak their gurgling fish language, BoJack is left to try to communicate nonverbally. And, despite what he told Ana on the phone at the beginning of the episode, he most certainly does not know what a thumbs-up means.<\/p>\n

So, when it comes to trying to make amends with Kelsey, BoJack tries to write a note. The very first draft is telling. It\u2019s a terrible note, but shows that his primary concern is with feeling like things are cool between them. He knows enough to discard that one, but his second attempt isn\u2019t all that much better. He does, though, proceed to try to give it to her.<\/p>\n

\"BoJack
Netflix\/Screenshot<\/figcaption><\/figure>\n

Instead, he gets caught up in a stream of salmon that pushes him onto a bus, he loses the note, and ends up far out of town with no apparent way to get back. Further, after he\u2019s helped a male seahorse give birth on the bus (because yes, that is a thing), he\u2019s left with a baby seahorse that he can\u2019t abandon. (He tries, mind you! The kid is just not having it).<\/p>\n

This relationship, between BoJack and an unnamed newborn baby seahorse, forms the crux of \u201cFish Out of Water.\u201d Their journey takes them through a series of perils, as when BoJack steals some seahorse milk because the shark clerk only accepts seashells in payment, or when BoJack puts himself at risk to save the baby seahorse from a large metal fan.<\/p>\n

They end up in a ridiculous chase in the taffy factory where baby seahorse\u2019s dad works, but ultimately BoJack gets the kid home. He declines the offer to stay for dinner, and he declines the offer of monetary compensation, but he lingers in the doorway as he says goodbye. What he\u2019s found through all of this is a moment of true connection to another living being, and he\u2019s smart enough to get that.<\/p>\n

He doesn\u2019t want to let it go, but he has to. We cut to a cab ride, where he\u2019s already missed the premiere of his film, but takes the feeling he has to craft another note to Kelsey. This time, he does a good job at taking responsibility and apologizing. He recognizes that the relationship is the most important thing, and more than having cost her a job, he\u2019s been a terrible friend.<\/p>\n

\"BoJack
Netflix\/Screenshot<\/figcaption><\/figure>\n

Later, as the festival is wrapping up, BoJack spots Kelsey again. He flags down her cab, and she stops to give him the moment. He hands over the note. She looks at it and hands it back, before driving off. The thing has become utterly illegible, because they\u2019re underwater, after all. The ink is smeared, and you can hardly make out any of the words.<\/p>\n

Then a random passerby on the street (voiced by Paul F. Tompkins) yells at BoJack to get out of his way. It turns out BoJack could have been talking all along. There\u2019s a button on the side of his helmet that he didn\u2019t know about. And thus the episode ends, cutting him off in the middle of the phrase as he exclaims, \u201cYou\u2019ve got to be kidding me!\u201d<\/p>\n

\"BoJack
Netflix\/Screenshot<\/figcaption><\/figure>\n

\u201cFish Out of Water\u201d is one of many times when BoJack Horseman<\/em>—a show about a talking horse\/man—gives us a deep meditation on structures of regret, guilt, shame, and depression<\/a>. BoJack has messed things up in the past, because of course he has, and he wants to make things right but he doesn\u2019t know how. He\u2019s a fish out of water not just because he\u2019s in a strange environment physically over the course of the episode, but in that he is trying to work in a psychological space where he is not comfortable.<\/p>\n

BoJack always wants to save face, not just in terms of how the world at large views him or even primarily in those terms, but in terms of how he sees himself. He wants the people he cares about to forgive him, but whenever he approaches acknowledging his flaws, he\u2019s at risk of spiraling into deep depression and addiction, and thus prone to defense mechanisms that can make him just be an asshole some more instead.<\/p>\n

\"BoJack
Netflix\/Screenshot<\/figcaption><\/figure>\n

But on occasion, he gets it. He loves that baby seahorse and longs for that kind of connection. He finds a way to be honest with himself and actually apologize in the last note he writes, destined to failure as this is.<\/p>\n

Of course, we shouldn\u2019t make the mistake of thinking that somehow this would have worked if only the ink on BoJack\u2019s note hadn\u2019t been smeared. He\u2019s already making another error if he thinks that he\u2019s found the magic words that will set things right with Kelsey. It doesn\u2019t work that way.<\/p>\n

It would\u2019ve meant more if he\u2019d gone to the screening of Billie Jean King Is Not My Lover<\/em>, the film that Kelsey was at the festival to promote. He could have shown up and supported her, and yes, apologized when he had a chance to talk to her, but of course he didn\u2019t do that.<\/p>\n

The end of \u201cFish Out of Water\u201d is fitting not just because it is very funny but because it is also poignant. BoJack is not a good friend, but we probably relate to him even if we wish we didn\u2019t. And nothing is so simple as parsing fault and blame from happenstance and misfortune. It\u2019s not as though if he could have spoken he would have made things better. Even odds he would have made things worse.<\/p>\n

\"BoJack
Netflix\/Screenshot<\/figcaption><\/figure>\n

And yet we have these moments, like BoJack and baby seahorse playing with bioluminescence under the sea. In this terrifying world, that\u2019s what we\u2019re looking for.<\/p>\n","protected":false},"excerpt":{"rendered":"

The following contains spoilers for BoJack Horseman S3E4, “Fish Out of Water” (written by Elijah Aron & Jordan Young and directed by Mike Hollingsworth) BoJack Horseman was always a show so permeated by visual gags I\u2019d be impressed if anyone ever catalogued them all. So it makes sense that in its third season, the series […] More<\/a><\/p>\n","protected":false},"author":76,"featured_media":282727,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[74],"tags":[220,551],"yoast_head":"\nBoJack Horseman: "Fish Out of Water" Goes Deep Without Words | TV Obsessive<\/title>\n<meta name=\"description\" content=\"BoJack Horseman's "Fish Out of Water" has virtually no dialogue but at gets at something deep about communication nonetheless\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/tvobsessive.com\/2023\/07\/03\/bojack-horseman-fish-out-of-water-goes-deep-without-words\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"BoJack Horseman: "Fish Out of Water" Goes 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